Tuesday, 1 February 2011

Short Film Evaluation


Short film evaluation

During my short film unit I worked with Emma and Darren for the third time.  I had and have the upmost faith in both of them as I feel we’ve always produced a high standard of work. I feel by working together time after time has helped us as we’ve been able to highlight each others strengths and use them to our advantages. One of Emma’s strengths is her organisation skills and without them id be lost at points as that with ease is probably one of my worst weakness’s, Emma is also a particular good writer which helps me out a lot. Darren peaks when it’s the initial stages of the project like brainstorming ideas and developing storyboards, he’s incredibly creative when filming and always gives off a positive vibe, I find working with him effortless. I would say my strongest point of the whole process is more towards the later stages with the editing process by tweaking and fiddling with micro aspects of the film yet I do like to be involved with the creation of ideas. I could yet again see myself working with these two again.

Even though it sounds like we get on like a house on fire there are still a lot of petty disagreements within our group usually between Emma and me. I feel that all three of us are such good friends I cant be hard at times to keep that working mentality together all the time, I also know that my stubbiness didn’t help at times too.  As I group I think we all took a chilled attitude towards our short film, nowhere near the intensity of how we’ve approached projects in the past. Looking back at the unit vie realized a lot of flaws that the group and I made. I can only go on to say I hope I can improve on them.

The most effective thing about our short film I would say would be the type of shot it consists of. We tried to have as many tracking shots as possible as I feel shots that are moving are the most visual interesting. I think we did a good job of staying away from conventional long, wide and close up shots by pushing it with some experimental things for us. We went to the extent of using wheelie chair for a dolly and standing on tables for over the shoulder shots.  By going for a more outlandish approach towards our shots it helped us get the realistic, down to earth feel, which is a strong element of our narrative.  Unfortunately some of hand held shots look a tad shakey and verge on schoolboy filmmaking.  Our narrative has a strong hidden message and with some of our diverse shots are able to keep the audience interested for five minutes.

Coming of that I feel are location was strong and added to the aura of the short. One of our main focuses was to make the film as common as possible so people digest it easily and be able to relate to it; therefore we shot our film in south London’s local Tulse Hill. We filmed part of short film in a house in there area, which had a nice vibrant feel to it. I was able to convince a shop owner to allow us to film in his shop. The shop fitted our film perfectly as it was slightly run down but had a warm ambient feel to it. The shopkeeper was ridiculously helpful and at times made me wonder if he was considering a career change.

My new pet hate is continuity within anything! When filming our short film I thought everything was going fine, shot rolling after another and another but when it came to editing I saw that there was major problems fortunate I feel we may have wiggled out it slightly down to cheeky editing but its far from perfect on that front. One for example is Ojan standing up walking to his shelter area with a hat on and the next shot he’s sitting down without a hat and just makes our short look amateur.  This was somewhat of an ongoing problem and had to use editing to hide some of our mistakes.

I feel we’ve added to our style with theses experimental shots. Our idea scrutinizes the value of money “the £5”, looking how people interest and value of the money changes from gender and classes. With this you follow a day in the life of a five-pound note as it goes through the hands of three characters and the different scenario it encounters.  Through out the film we see most things through the eyes of the five-pound note. I think the idea is interesting and a lot could be done to it but I feel that our group didn’t execute it to our full potential. We somewhat lost the narrative that was depicted in the storyboard which if we follow would of made the short better in my opinion. We found it hard to be strict and follow the storyboard but were like a moth to a flame for spontaneous creativity, we just need to find the balance that allows us to produce good work.

We where unfortunate to not get a boom mic as they where all booked out this would of help immensely as some of a dialogue is a bit quite and could of done with a boom mic picking it up more.  From this we had to add subtitles as you can always hear everything.  Another problem we encountered was music, this caused constant bickering within the group as we all felt we had a song that would work with the piece. For example Emma was sold on something similar to the streets but I felt it was just a bit to predictable.  Darren was able to find a piece of copyright free music but had to pay for it, the music is upbeat and urban but I wouldn’t say it’s a 100% match with our film but does a good job especially as we where getting nowhere in that department.

Our short film fits many of the conventions for a short film and I should know them seeing as it seems like it’s been forever that we've been studying short film. We had a small cast and worked on a budget, which was near to nothing. We used no effect during the postproduction stages. There is not an overload of dialogue. It has a firm underlying message and doesn’t fit hand in hand with any genre.

Our target audience is prodomatly 15 – 35 year olds. I think we made the short film fit this audience as the editing style is young, characters are all young a relevant, location was a sweet shop, the aspect of not having any money ‘the student life’, urban surrounding and a up beat piece of no diegetic music. I think we need to stop going towards that realistic urban side of films as were limiting over selves, as that’s what we’ve done for our last 3 projects now.

Concluding I’d say I'm relatively happy with the final edit our short film but isn’t my favourite bit of video. Yet I feel that the computers being robbed had pushed everyone of the short film wavelength and I know I struggled to slot back into that mind frame.  If we had shot more footage maybe some back history stuff or even tried to involve a flashback we would of profited from it.  When going onto my final video project I now have a lot of experience and wont make these mistakes, but I still feel short film is decent a deserve to be watched.

Kai McClean Doggett
13JPR















            

Monday, 31 January 2011

Shot list for "take notes"

  • POV of the five pound note, looking up to the hand as he/she takes the note out of their wallet
  • Close up of piggy bank getting smashed / close up of hand reaching into the jar
  • Over the shoulder shot of the fiver getting handed over
  • POV of a little kid holding the fiver and then switching to a POV of the fiver to show the child's facial expression
  • Close focus of the fiver on a living room desk but still can see the background where the family are arguing over bill payments
  • Close up of five pound note getting blown away
  • Close up of the fiver dropped on the ground
  • Wealthy business man / woman gets handed two five pound notes and complains because he wants a tenner instead. (over the shoulder)
  • POV of the five pound note as the till shuts
  • As man takes a big wallet of cash out, the five pound note gets dropped
  • Tracking shot of the teen walking with the five pound note
  • Close up of the money being put into a wallet
  • Long shot of the homeless person sleeping with the five pound note
  • Close up of the wallet in the jeans whilst walking
  • Medium shot of the note being between shopkeeper and stranger (so that the shots are significant and is iconic to the film)
  • POV of the homeless person as he selects what magazine he wants
  • Time lapses of the homeless person as he holds the five pound note.

Wednesday, 13 October 2010

Rough Script

Rough script
Section 1
Fiver – blimey I’ve been in here for ages. It’s doing my nut in. this pig is gassed up. I need to get out of here, can’t take it. What’s this, who’s this, what’s going on? (Piggy bank smashes)
Fresh air. God i miss this. Err wait don’t touch me with your jammy hands. FINE here we go! Looks like I’ve got no choice, story of my life come on then you chylimida infested yout. Take me away!
You know what I’ve been doing this for nearly 27 years and I’m getting fed up, Mary Jane messed head up. That’s the problem with these teenagers complain about money but yet blow it on anything, and following all these political movements yet none of them are able to vote – eddiuts. Alright alright chips will do.
No not again. Argh hate this place. Cash tills are hell. Always have a stuck 50 thinking he’s the godfather of Santander some sort of Arabian prince ha Get out of here. I’ll show him whose boss.
Section 2
Women – errrm like can I have 20 silk cuts purple.
Fiver – could get a change jobey here. Touch hope the bloke don’t throw a few coopers in. All rite here we go.
Women – sorry but like do you have a ten pound note this one’s really dirty and kinda crinkled.
Fiver – bloody hell shes got some cheek. Not having it. I’ve been with tones of business women and there all the same.... Stuck up, always doing something fishy. Ahaha ya get me blud.
Fiver – well I tell ya she got smooth hands could be useful. Woo I’m on fire today.
Fiver – gosh calm down love stop running, oii mate watch out, easy, slow down, steady on, im slipping
NOTE FALLS OUT OF HER HAND
Section 3
Fiver – fucking hell that killed. Gonna jack up on some pain killers go all cobain on it.
Fiver - arrr balls that nitty over there is staring at me
Fiver – come of it don’t come over here
Fiver – tramp worst type of owners all they do is keep you in there rough diseased hands. God look at those gloves holes and all. Might spend on something warm or the usual white star to get piss’d.

Wednesday, 6 October 2010

The differences between shorts and feature films


The differences between shorts and feature films

Short films
  • ·      Have a lower budget
  • ·      The equipment they use is more basic
  • ·      Short production time
  • ·      No special effects
  • ·      Minimal distribution
  • ·      Internet based film festivals
  • ·      Unconventional narratives
  • ·      Unknown / amateur actors
  • ·      Realistic “kitchen sink realism” 


Feature films
  • ·      Have a large budget
  • ·      Clear understandable endings
  • ·      Expensive / upper end equipment
  • ·      Long production time
  • ·      Famous actors
  • ·      Special effects
  • ·      Cinemas / DVD’s
  • ·      They have deal with distribution companies
  • ·      Digestible narratives
  • ·      Long plots
  • ·      Slower paced editing
  • ·      Crews

Skin Deep

I was shown this emotional film in one of our lesson and it did challenge me. I found it very hard hitting as i've never ever experienced something like this. After viewing the short film it rawness shocked me. The film also had very strong political views, which, fortontally aren't the same ones as today’s. The narrative was hard-hitting, even though i enjoyed this film it made me not to make a short film with the same key elements (Race, Class, Politics and location) as it seemed to gritty for my liking.